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BCP Reference · Annotated Sources

Sources of the Litany

Tracing each part of the General Supplication to its historical origin

Cranmer composed the Litany in 1544, at the request of Henry VIII, who wanted a great corporate intercession in English to be sung in procession in time of war. Cranmer worked principally from the Roman Litany of the Saints as it stood in the Sarum Use — the form used both for the Lenten Rogation processions and at the bedside of the dying — replacing the long Latin invocations of the saints with a fourfold invocation of the Holy Trinity, and drawing also on Martin Luther’s Litany of 1529 for several of the obsecrations and supplications. The form was lightly amended in 1559 under Elizabeth, refined again in 1604 and 1662, and brought to its present shape at the Restoration.

The Litany of 1544 thus has a peculiar place in the history of Anglican prayer. It is the first liturgical composition of the English Reformation, written before the Book of Common Prayer existed; and it was already shaped, in its language and its rhythm, by the qualities that would mark Cranmer’s great work of 1549 — the long periodic sentences, the doubled and tripled epithets, the cadences that fall to a steady end. To pray the Litany is to pray with English Reformation prose at its earliest and best.

The page is organised by the Litany’s traditional structural divisions: the Invocations to the Trinity; the Deprecations (“From all evil…”) and Obsecrations (“By the mystery of thy holy Incarnation…”); the long Intercessions (“That it may please thee…”); the final cluster of invocations to the Son of God and the Lamb of God; and the closing Versicles, Psalm-anthem, and Prayers.

I.The Invocations to the Trinity

The Litany opens with a fourfold address — to the Father, the Son, the Holy Ghost, and the whole Trinity — each followed by the people’s response, “have mercy upon us miserable sinners.” This Trinitarian opening replaced the much longer Latin invocation of the saints which stood in the Roman and Sarum forms.

II.The Deprecations

From the Trinity’s mercy the Litany turns to the catalogue of evils from which the Church asks deliverance — sin, blindness of heart, plague, sudden death, false doctrine, and rebellion. Each petition is answered by the people, “Good Lord, deliver us.” The body of deprecations is Cranmer’s 1544 work; one petition was added at the Restoration.

III.The Obsecrations

Where the deprecations name the evils to be delivered from, the obsecrations name the holy mysteries by which deliverance is asked. The body of obsecrations — addressing the great events of the life of Christ — is Cranmer’s adaptation of the Roman form. One petition is drawn from Luther’s Litany of 1529.

IV.The Intercessions

The longest section of the Litany is the great body of intercessions: a catalogue of petitions for the Church, the State, the suffering, the afflicted, the enemies of the Gospel, and the fruitfulness of the earth, each beginning “That it may please thee…” and answered by the people, “We beseech thee to hear us, good Lord.” The bidding (“We sinners do beseech thee…”) was settled in 1559, and the body of intercessions has been added to in three layers: 1544 (Cranmer), 1559 (Elizabethan), and 1662 (Restoration).

V.The Final Invocations

After the long body of intercessions the Litany returns to direct address — to the Son of God, to the Lamb of God, to Christ — and concludes with the threefold Kyrie. The “Son of God” petition is from Sarum; the two “Lamb of God” petitions, while not in Sarum, are found in other medieval English uses.

VI.The Lord’s Prayer, Versicles, and Closing Prayers

The Litany closes with the Lord’s Prayer, a sequence of versicles drawn variously from Prime, Compline, and the Psalter, a Supplication adapted from Luther, and three of the same final prayers as Morning and Evening Prayer.

The Litany’s peculiar character among the great Anglican forms of prayer is that it was composed for procession, not for sitting in a pew. Cranmer’s 1544 form was sung as the people walked — through the streets, around the parish bounds, in time of war or pestilence — one voice leading, all voices answering. To pray it now in church is to take part in something that has at its very root a body in motion, asking deliverance step by step. Its long catalogue of petitions has the rhythm of feet on a road; its Trinitarian opening and Christological close mark the road’s beginning and end.

Source Adapted from the marginal apparatus of The Lay Folks’ History of the Liturgy, Appendix, “The Litany,” pp. 276–282. Annotations on dates and patristic provenance follow that text. Cross-references to Sources of Morning Prayer are given for prayers shared with the closing of the daily Office. Comparison with the 1928 American Book of Common Prayer, and certain expansions on standard liturgical-historical scholarship (e.g. the procession-origin of the Litany, the etymology of kindly), are supplied from general reference works on the English Prayer Book.